Sidi's decision to marry Baroka can be interpreted in several different ways. Throughout the play, Baroka is viewed as a supporter of traditional Yoruba culture and opposes Western influence. Baroka's opposition to modernity is evident when he thwarts a Public Works project by bribing the railway surveyor. Even though Baroka is known for his masculinity, he is also regarded for his wisdom throughout the play. Baroka cleverly feigns impotence, then woos Sidi by telling her that her image will adorn every stamp leaving Ilujinle. Sidi's decision to marry Baroka in the play reflects Wole Soyinka's opinion that Baroka was a better man than Lakunle. Soyinka suggests that Baroka's values, morals, and culture are more worthy than Lakunle's Western ideals. Sidi's decision to marry Baroka also reflects her affinity for traditional Yoruba culture over Western civilization. Sidi's choice to marry the Bale also represents a victory for old age and wisdom over youth and superficial values.
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